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Stephen Malinowski and the Music Animation Machine in the public eye
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date |
where/type |
description/link |
1988-2009 | patents | I been involved in a few patents in one way or another (none directly related to music). |
1990-present | various | Information visualization specialist Edward Tufte began helping me share my work in 1990 when he started using my animations in his presentations and convinced me to produce a videotape that he could sell to his audiences; over the years, he's introduced my work to thousands of people. In 2006, he included one of my graphical scores in his book Beautiful Evidence. |
1990nov | review | Algorithm, Journal of Recreational Programming, Volume 1.7, videotape reviewed by Bob Webber |
1991 | documentary | The Getty Center for Education in the Arts included some of my animated graphical scores in a program called The Imagination Machines. |
1991 | TV news | Reporter Richard Hart did a segment about my work that aired on the local news station KRON; here's what they said. |
1991 | exhibition | Music Sources, Berkeley, California |
1991 | presentation | IBM, Seminar for Arts and Letters, Santa Cruz, California |
1991 | award | The 25th Annual New York Expo of Short Film and Video, Jury Award |
1991 | award | East Bay Media Center Video Festival, Honorable Mention |
1991 | review | Piano Guild Notes, Volume 41, number 2, reviewed by Kay Rivers Sparks, page 45, National Guild of Piano Teachers |
1991 | review | Whole Earth Review, page 127, reviewed by Kevin Kelly, Whole Earth, Summer |
1991 | review | Leonardo, Volume 24, page 632, reviewed by Roger F. Malina, Pergamon Press |
1991 | book | Computers and the Imagination, Visual Adventures Beyond the Edge, Clifford Pickover, page 386, St. Martin's Press, New York |
1992apr | review | Algorithm, Journal of Recreational Programming, Volume 3.2, videotape reviewed by Bob Webber |
1992 | book | Mazes for the Mind, Computers and the Unexpected, Clifford Pickover, pages 198 and 205, St. MartinĂs Press, New York |
1992 | book | Computing and Musicology, Volume 8, edited by Walter B. Hewlett and Eleanor Selfridge-Field, pages 123 and 205, Center for Computer-Assisted Research in the Humanities |
1993jun | review | American Music Teacher, page 62, videotape reviewed by Wilma Machover, June/July |
1994 | book | Architecture as a Translation of Music, edited by Elizabeth Martin, page 12, Princeton Architectural Press |
1995oct | magazine article | Ted Rust wrote an article about my work for his (then-)magazine Music for the Love of it. |
1995 | review | Neo, edited by Delphine Hirasuna, page 34, Simpson Paper Company |
1996sep11 | documentary | YLEM, Music Visualization, San Francisco, California |
1997 | master's thesis | Visualization Of Midi Encoded Music, Jeffrey Douglas MacArthur |
1999 | journal article | Visualizing Music and Audio using Self-Similarity, Jonathan Foote |
2000-present | TV broadcast | My animated graphical scores are broadcast by satellite to North and South American on Classic Arts Showcase. |
2001 | master's thesis | Improvisatory Music and Painting Interface, Hugo Solis Garcia |
2001 | article (?) | Rethinking the Lecture / Rethinking Our Teaching, Peggy Lant |
2001 | master's thesis | VIMP -- Visualisation of Musical Pieces (LMB_MScThesis.pdf), Lorna Brown |
2003 | paper | Past, Present, and Possible Future Techniques, Implementations, and Methods in the Study and Exploration of Music Visualization (maciagt-PPFTMESMV.pdf), Timothy J Maciag |
2004 | article | Visual Music, Maura McDonnell |
2004 | lecture | Music Perception & Cognition, Peter Cariani, Andy Oxenham, Mark Tramo |
2004 | paper | Pattern Matching In Polyphonic Music As A Weighted Geometric Translation Problem, Anna Lubiw, Luke Tanur |
2005sep28 | museum exhibition | The MAM appeared in an exhibit at the Textile Museum of Canada called "Dance of Pattern." Here's what the installation looked like, and here's a review of the exhibit that appeared in the magazine Selvedge. |
2005 | paper | What You See Is What You Get: On Visualizing Music, Eric Isaacson |
2011 | software | Björk's interactive application Biophilia included my interactive animated graphical scores. |
2011aug30 | article | For the issue of Dazed and Confused about Björk's project Biophilia, Tim Burrows interviewed me; what he kept from the interview ended up in this online article; I posted what was left over here. |
2012jan27 | interview | Carly Shields, a journalist with NYC's BreakThru Radio, asked me some questions about the relationship between my work an synesthesia.
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2012feb14 | interview | I did a phone interview with Kevin Holmes for the Creators Project. Because it's pretty much a verbatim transcription of what I said, it's hard to follow. |
2012feb14 | interview | The Italian music educator Alessandra Anceschi interviewed me (English) for an article published in the journal Musica Domani (Italian) where she is an editor. |
2012feb16 | interview | Musician and animator Philip Crosby asked me some questions about my work. |
2013 | catalog | MERLOT included my materials in their catalog of resources for teachers. |
2013jul31 | article | Nancy M. Williams wrote an article about me for Aesop. |
2013aug01 | article | Erik Voermans wrote an article about my collaboration with Etienne Abeline for Het Parool. |
2013aug01 | article | Nick Romeo wrote an article about me for The Daily Beast. |
2014 | museum exhibit | Biophilia was the first downloadable app added to MoMA collection |
2015-2016 | concert | Vulnicura animations |
2016-2017 | museum exhibition | The Children's Museum of Pittsburgh mounted an interactive exhibit of my work. |
2017nov04 | interview | Michael Johnson interviewed me for the online newsletter Facts & Arts.
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